This lesson is about thinking of minor modes while improvising over altered dominant chord. If you are interested in jazz theory you might find this one useful.

This is the fourth and last lesson of the series that show how many different scales can we play over a dominant chord.

Get comfortable with the 16th Shuffle rhythm to spice up your vocabulary!

Dorian, Lydian Dominant, Superlocrian and Diminished in a modern fusion solo!

Give any scale a major 3rd and a minor 7th, you'll get the dominant version of that scale. Today we'll talk about the Lydian Dominant scale.

In today's lesson we'll discuss the possibilities offered by the Mixolydian mode. If you are unsure how to get into modes, check this lesson out!

The first lesson of a series of four that show how many different scales we can play over a dominant chord.

Using a diminished arpeggio in a Mixolydian context can really help your ideas. This lesson will show you how.

We continue working with the modes harmonized with triads.